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artist working in light filled studio overlooking the garden. Watercolour and painting supplies all over my desk.

A little story of colour and creativity.

Hello, I’m Bec Eddison

artist, collector of curious treasures, and lover of vintage charm. Life hasn’t always handed me golden light and sunshine, but through grief, pivots, and moments of gloriously paint-splattered joy, I’ve learned to turn the cracks into something beautiful.

My creative practice is rooted in nostalgia, nature, and a dash of wanderlust. If you’re craving a more colourful life or simply need a reminder to find beauty in the everyday, you’re in the right place. Best served with tea and cake (always cake)

scattered artistic studio of Rebecca Eddison, watercolours strewn around the desk and flowers mixed in a jar with paintbrushes.

Creative Life Behind the Art

Growing up in the Redlands, near Brisbane in sub-tropical Queensland I was always the creative child, studying art at school and always drawing.

I extended my practise in Visual arts at Queensland tafe before completing my Bachelors Degree in design at Queensland College of Art Griffith University in 2010. Selling paintings along the way.

proud as punch at my easel at Hugo Grenville's art school

Creating a map to a friends destination wedding started off my love affair with all kinds of maps. I always think books are way more exciting when they have an adventure map at the front.

I have now worked as a professional artist and stationer for 18 years. Creating custom pieces for couples worldwide. There's still a little thrill when I watch a movie filmed in some gorgeous location and think, "I've done a wedding there!" (My husband is thrilled by this habit, truly.)

plein air sketching in the british countryside. And a photo of an art tent in a country field

When life threw me a particularly challenging curveball, I found myself hunting for something more fulfilling, something that sparked joy in the everyday madness.

My fascination with how colour shifts emotion and atmosphere has been the consistent thread throughout my creative life.

It led me to study under Hugo Grenville, the UK's leading colourist and romantic painter.

(And yes, a summer painting school in the English countryside is always a magnificent idea. It was pure magic—think Great British Bake Off but with easels and colour charts instead of cakes in the tent. Absolute bliss! For those wondering, yes, cake did make an appearance for afternoon tea.)

I came home with paint-stained fingers and a renewed sense of purpose for my artistic career.

travel sketching in lots of locations across the globe. Plein air painting on charmouth beach with Hugo Grenville, drawing in the rocky river beds of Canada looking up at the looming mountains. Sketching the landscape in -3 degrees in Iceland.

My Creative Practice

Wanderlust and Professional Trinket Collector

Travelling throughout Australia and internationally continually ignites my creativity. Each journey fills my sketchbooks, camera roll, and suitcase with treasures.

Approximately 50 trinkets I assured my husband were absolutely essential purchases. My suitcase regularly exceeds weight limits with mysterious bundles that "spoke to me" at local markets. I will not apologize.

exploring london portrait Gallery and collecting antiques around england. Old tattered persian rugs rolled up and silver tea caddies from Portobello market

I'm hopelessly drawn to things with stories

Faded vintage textiles, chipped milk jugs with mysterious origins, photographs of long gone war heros (those are particularly hard to leave behind). These collected treasures sneak into my paintings bringing their whispered histories, infusing my paintings with nostalgia and inviting viewers to pause, reflect, and reconnect with their own memories. 

My travel journal captures moments, colours, feelings, and conversations that later inform my larger studio works.

My current favourite overheard conversation was between two distinguished old gentlemen in Denmark bumping into each other, with one guffawing, "Alexander, I thought you were dead!"

Wide open landscapes, domestic still life scenes, figures, and dogs in gardens provide endless inspiration.

paintbrushes in a glass jar in my redland bay studio

Craft Night: Where "Oh my god, that's gorgeous!" and "Oh my god, what IS that?" share equal billing

An essential part of my artistic practice is hosting monthly "craft night" with a group of fabulous women who are equally serious about being unserious.

We create what we lovingly call "low stakes craft". One week we're making pottery, the next, we're hot-gluing a mini Christmas village after too much wine.

There's something profoundly liberating about creating without pressure—plus, it helps curb my tendency to start seventeen new hobbies simultaneously.

Start your own craft night immediately.

I won't take no for an answer. Your mental health will thank me.

examples of travel sketchbooks from my trips around the world. full of colour swatches and notes.

My background in Interior Design gifted me with an understanding of how colour influences mood and transforms spaces.

Working primarily in traditional oil and watercolour mediums, I embrace their unique qualities to create depth and luminosity. I typically work alla prima to maintain freshness, building layers of colour and texture with whimsical thin washes and gloriously thick juicy impasto.

My expressive brushwork aims to capture not just visual elements but the feeling of a moment. I deliberately leave breathing room within each composition—spaces inviting viewers to wander through the painting, finding their own connections and meanings.

I've always been less interested in painting things exactly as they appear (we have cameras for that) and more focused on using techniques to capture how it FEELS. Why does placing this particular sunflower yellow next to this specific lavender create a visual jazz? The mechanics of painting and constant quest to improve keeps me up at night.

If you want more on my Creative process

cleveland lighthouse restaurant on the point at high tide and a beautiful sunny blue sky

Based in Redland Bay, Queensland, Australia

Today, I paint from a light-filled studio where the stunning coast of Moreton Bay fuels my colour palette and occasionally distracts me for hours. My little white house with its cottage garden and green door sits among native bushland like something from a storybook (though the mortgage is unfortunately very non-fictional).

I ship lovely artwork all over the world...
sausage dog sleeping in the sun on a white couch

I live with my lovely husband Joel and my faithful studio companions: Dottie Perkins, world's laziest black labrador and head of customer satisfaction, and Oliver, a Miniature Dachshund, sunseeker and self-appointed head of security.

We've created our second beautiful cottage garden here. Being subtropical, the garden is equal parts English romance and Australian practicality. I've noticed I get distinctly tetchy if I haven't spent enough time either gardening or painting!

Through the studio windows, the play of light and shadow becomes part of my creative process, as do the cut flowers I sometimes manage to grow successfully. 

australian art studio in brisbane with big windows and gallery wall for drying paintings, lots of pots of paintbrushes and a shawl ver my chair.

My studio

overlooking the garden

Modern Australian cottage with veranda and green door. Cottage garden parterre at the front.
stingless australian bees in their hive on a shelf in my garden surrounded by pots
whimsical australian cottage garden inspired by romantic gardens of england. Fairy lights and roses line the path to the shed.
mustard yellow background with drawn Australian native white flowers
Join in on instagram

Curious about my creative process or want to see studio disasters in real-time? Follow me on Instagram for behind-the-scenes glimpses, travel adventures, and frequent appearances by my four-legged "helpers"

a gallery of images including rebecca eddison looking through an art gallery, a cabbage grown fresh, a poster of a moreton Bay fig plant, bikes lined up and art supplies tumbled out of a straw basket bag